When you’re watching Jeff (pictured left) what you’re seeing is Caleb Landry Jones as a robot. So when you’re watching Jeff, what you’re seeing is Caleb Landry Jones, turned into a robot. But Caleb was sitting underneath the table doing the voice for Jeff. The only time Caleb wasn’t on screen is when Finch first turns Jeff on and he’s a disembodied head. He was! Tom acted opposite Caleb in every single scene. They always burn everything, it’s terrible! So was Caleb Landry Jones on set for the whole shoot? We’re guessing it was nice not to have dragons in this project as they’re notoriously hard to work with… We definitely shot it like a small movie, and there was something very gratifying about that as an experience. Caleb was there all the time as well, who played Jeff. The dog was there, being basically loved by everybody on set all the time, just sitting there and getting his neck scratched. He’s got a chair he sits in, he goes to sleep in the chair, you say ‘Tom we’re ready’ and he gets up and he comes into the scene. It was a lovely change of pace from what I’d been doing because I’d been on season eight of Game of Thrones and so it’d been 25 cast members and hundreds of extras and dragons and battles and white walkers, so it was actually a really pleasurable shift in gears! What was it like shooting a movie with just three characters? Then like 10 minutes later in my brain started going ‘Miguel, shut up, he’s already said he wants to be in your movie, you don’t need to pitch this anymore’ and I shut up, and then he was in the film! Miguel Sapochnik (pictured above) at first didn’t believe that Tom Hanks wanted to be in his movie. Then we sat down and he goes ‘so, can I be in your movie?’ and I just kind of ignored that he just said he wanted to be in my movie and I launched into a pitch about how I really wanted him to be in this movie. I didn’t really believe it so I spent a bunch of time not believing it, and then I went for a meeting at Tom’s production company, and we met, and we talked about stereos for like 30 minutes! He collects old vintage stereos and typewriters and we just talked about that stuff for ages, because I love that stuff as well. They sent it to Tom Hanks and I got a phone call saying Tom Hanks is really interested in doing the movie.

Then at some point, we realised we had to go out to the world, and just around that time, we had taken on some producers which was a company called Image Movers, which is Bob Zemeckis’ company. So we decided to work together on it for a while. That it was very engaging, but it didn’t feel manipulative.

I read it and I was really struck by the lack of sentimentality in it. They’d ended up collaborating and written the feature version of BIOS, and they sent it to me. Then years later, about seven years ago, I was approached by a very good friend of mine called Ivor Powell, who’s the other writer, who had been one of the people I’d put Craig in touch with. I put him in touch with a bunch of people I’d worked with. We spoke to Sapochnik about working with dogs, robots and dragons… How did you first get involved with Finch?Ĭraig Luck, who is one of the writers of Finch, approached me with a short film called BIOS that he was planning on directing and he wanted some advice – it must have been 15 years ago now. Naming himself Jeff, the robot (Caleb Landry Jones), Finch, Goodyear and Dewey the robot dog, are soon forced to embark on a perilous journey into a desolate American West, where Finch strives to show his creation the joy and wonder of what it means to be alive.ĭirected by Miguel Sapochnik ( Game Of Thrones) and written by Craig Luck and Ivor Powell, Finch is a powerful and moving post-apocalyptic adventure of one man’s quest to ensure that his beloved canine companion will be cared for after he’s gone. As one of the last people on Earth, when robotics engineer Finch (Tom Hanks) realises he’s dying, he builds a robot to look after his beloved dog, Goodyear.

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